The Making of a Vintage Chart

The Making of a Vintage Chart

Are vintages subjective?

Making of a Vintage Chart

8 out of 10 cats would agree that wine ratings are based on personal taste. Vintages, on the other hand, seem to be more grounded in the firm reality of weather and climate and their effects on the grapes. A good year is a good year, no?

I recently put together a vintage chart for an upcoming expanded version of our wine tasting notebook. Although I’m not a big fan of vintage charts, I generally find them interesting and thought yeah, why not include one? Just a little research to find the consensus and bada-bing bada-boom, a vintage chart. How wrong I was. Vintage charts come in varying degrees of specificity, from the very detailed that describe the weather throughout the growing season and harvest to the very general which distill a vintage down to a number or star rating. This vintage chart is in the general category – I wanted to make it as bone-simple as possible and used a 1-5 rating scale: 1 poor 2 fair 3 good 4 very good 5 excellent In keeping it simple, drink-now/keep/past-its-prime notations were omitted. Personally, I don't find them useful. Especially now that you can just google, snooth or cellar track to see if a particular bottle seems to be ripe for the drinking. No, I just wanted a good general indicator of the relative strengths or weaknesses of each vintage. Surprisingly, there’s not a lot of consensus out there. The following two examples – Alsace 1997 and Rhone 2002 – are pretty typical of how much opinions vary:

ALSACE 1997  
Conseil Interprofessionnel des Vins d’Alsace 5/5 (5)
BBR 9/10 (5)
Tom Stevenson 90/100 (5)
Williamson & Moore 4 to 4.75 (4.375)
Hugh Johnson 7-9 (4)
Wine Spectator 89 (4)
Robert Parker 87 (4)
Hachette 13/20 (3.25)
The Wine Society 6/10 (3)
Average (4.18)

note: my interpretation of each score is shown in (parenthesis) The scores run from 3 (good) to 5 (excellent). I could have easily just averaged them to a 4 (very good) and called it a day. The problem with this approach is that the chart would then have virtually no excellent or poor vintages. Instead, I went with a 5 (excellent vintage) for a two main reasons:


  1. I found ‘official’ vintage assessments – in this case the Conseil Interprofessionnel des Vins d’Alsace – to be most useful in the sense that they would run the entire scale from excellent to poor. You might expect them to be biased – that every year was a vintage year – but overall, they weren’t. Some of scales did have to be slightly adjusted at the downside, though. Bordeaux’s lowest rating is medium - they gave their awful 1991 and 1992 vintages a medium - a little like Starbucks calling their smallest size coffee tall.
  2. One of Tom Stevenson’s areas of concentration is Alsace.
RHONE 2002 North South
Hugh Johnson 4-6 (2) 5-5 (2)
Tom Stevenson 70 (1) 55 (1)
Robert Parker 78 (2) 58 (1)
Wine Spectator 82 (3) 76 (2)
Decanter 4/5*(4) 1/5*(1)
Berry Brothers and Rudd 6/10 (3)
The Wine Society 3/10 (2) 4/10 (2)
Average (of my 1 to 5 interpretation) (2.1) (1.2)


*Decanter gave 3/5 for the entire Rhone, but with this note: Classic concentration and power in the wines from the North but a poor vintage for the Southern Rhône – I’ve interpreted as above. Again, there are some major differences. This time, I took the averages as they pretty much reflect my impression of the Rhône in 2002. Also, it correlates with Robert Parker’s numbers. Like him or not, Parker is extremely knowledgeable about the Rhône Valley. 2002 Allain Graillot Crozes-HermitageCoincidently, we had a 2002 Allain Graillot Crozes-Hermitage (Northern Rhône) this past weekend. If it had listened to the vintage chart, it would have been only a middling wine at best. In fact, it was actually very good and an excellent example of what great wine makers can do in indifferent years. It had all the signs of an off-year, which in this case means that the grapes didn’t ripen optimally. The alcohol was lower (12.5%), the acidity was a bit elevated, the tannins slightly rough, and the fruit reduced to a background player. A complete disaster? Far from it – the wine had an amazing intensity of black pepper and some herbal elements that would not have been so pronounced had the fruit been stronger. The intensity held up through a very long finish – the mark of excellent wine making. A four star wine in a two star vintage. One of the other difficulties in putting the chart together was mixed vintages, where some areas in the region did well while others suffered. Hugh Johnson gives a range of number ratings (ie 6-8, 4-6 out of 10) which seems to be a good way to handle mixed years. However, in practice, every vintage gets a 3 to 4 point spread which sort of negates its usefulness. In the end my method was this:

  1. Take an average.
  2. Look at the range.
  3. Decide who to trust, take the average (or both).
  4. Repeat for each cell.

Not exactly bada-bing-bada-boom.



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